An American artist who lives in Rome, Wendy Artin has been working for over a decade on a series of watercolor paintings of ancient Greek and Roman sculptures and related subjects. This exhibition will feature a selection of her paintings, not only images of ancient sculptures and landscapes but also contemporary life studies. The paintings will be set in dialogue with objects drawn from the Kelsey’s collections, including works of Greek art inspired by Egyptian precedents and examples of the same figure types seen in Artin’s work (such as Aphrodite rising from the sea). Wendy Artin is one of a long line of artists who draw inspiration from antiquity. Artin’s visually stunning paintings offer fresh and arresting ways of looking at ancient sculptures and buildings. Image: Wendy Artin, Phrygian Cap (Parthenon north frieze slab XXXVII), 2010, watercolor on cotton Khadi paper, 103 x 130 cm
The Kelsey Museum of Archaeology, Ann Arbor, Michigan
Lively Conversation between director and curator Christopher Ratté and Wendy Artin
Stone from Delphi, collection of classically themed poetry by Seamus Heaney, published by Arion Press
This is the beautiful and haunting face of Asclepius, who represents healing and hope.
Wall featuring a large painting of Actaeon, attacked by his own hounds after being transformed into a stag by the goddess Diana when she caught him admiring her during her bath.
The Maenads or Bacchantes were a favorite subject for the sculptors of Antiquity, with swirling robes that suggest the movement of their wild drunken dances.
Paul S. Diette and Wendy Artin in front of watercolor of Antinoüs during the opening of Stone From Delphi
Jean and Mark Patiky at opening of Stone From Delphi
This bas-relief depicts a procession with Two Satyrs and a Maenad who is playing a drum.
Wendy Artin with bicycle painter Taliah Lempert, whose paintings can be seen at bicycle paintings.com